C.C. Adcock

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Another is because Mr. Record labels are notorious for issuing more music than they can promote, and this 1994 gem was obviously a victim of that practice. Adcock and his estimable band know how to find a groove and work it. You can practically smell the gumbo cookin'. Then I loved it. Three years ago, I was hipped onto C.C. Adcock's 'Lafayette Marquis'. And while browsing through some CDs earlier this week, I came across this.

One of the reasons is because Tarka Cordell's production has a warm, organic-sounding live feel to it that never sounds hard or flat. But if you love the music of the bayou, it is critical that you have this. But the most-amazing aspect of this CD (and of 'Lafayette Marquis' for that matter) is that they sound like the ones that influenced Fogerty--not the other way 'round. Just thick, rich music that carries the indelible stamp of the swamp. Ladies and gentlemen, I have won the lottery.In all the time I've spent listening to the music of Louisiana, I've never heard anything that captures the easy-rollin' rock and r&b of the bayou like this does. There's no nod to current musical fashion or self-conscious artifice here. I bought it.

Past reviews cite John Fogerty as an influence, and they're not far off. Adcock' is to stumble upon a back woods juke joint, where a full-blown dance pawty (misspelling intentional) is in full-swing. Then I loved it some more. To listen to 'C.C.